![]() ![]() Yet the dissertation made clear to me – as did new scholarship that emerged during my graduate studies, discussed in the introduction – that there was much more to be done. ![]() dissertation, completed in 2015 and immediately made available online in unpublished form. Egyptian material depicted in Roman fresco became the subject of my Ph.D. ![]() My focus then was Roman wall painting, particularly that of the so-called Third Pompeian Style, which incorporates Egyptian motifs. This book arose from the recognition, early in my graduate career, that Egyptian art in Rome was far more complex that it was usually given credit for at that time. The Pleasures of Herculaneum’s Palaestra. Shipping between Campania and Alexandria. The Upper Cubiculum Shows off its Riches. Introduction: Egyptian Art in Rome as Art. KG, Lemförde Printing and Binding: Hubert & Co. Cover: Martin Zech, Bremen Typesetting: Dörlemann Satz GmbH & Co. Photo: Hungarian National Museum (© MNM). Budapest, National Hungarian Museum, inv. © 2021 Walter de Gruyter GmbH, Berlin/Boston Cover image: Egyptian gods inlaid as frieze on “Egyed Hydria.” Bronze inlaid with silver and gold. ISBN 978-3-11-070040-4 e-ISBN (PDF) 978-3-11-070089-3 e-ISBN (EPUB) 978-3-11-070093-0 ISSN 1868-4777 Library of Congress Control Number: 2020950605 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie detailed bibliographic data are available on the Internet at. Gedruckt mit Unterstützung des Förderungsfonds Wissenschaft der VG WORT. The Triumph and Trade of Egyptian Objects in Rome Collecting Art in the Ancient Mediterranean Smith Editorial Board: Bettina Bergmann, Ruth Bielfeldt, Jane Fejfer, Luca Giuliani, Chris Hallett, Susanne Muth, Alain Schnapp & Salvatore Settis Image & Context Edited by François Lissarrague, Rolf Schneider & R. Stephanie Pearson The Triumph and Trade of Egyptian Objects in Rome ![]()
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